Our Tutors – 2019
The summer piano courses for 2019 will be led by an exceptional quartet of tutors. We are delighted to welcome Charles Owen, Noriko Ogawa, Vedrana Subotic and Martin Cousin for four weeks of intensive and inspirational teaching
Described by Gramophone magazine as “one of the finest British pianists of his generation”, Charles Owen has enjoyed an extensive international career performing a wide-ranging repertoire to outstanding critical acclaim. He has appeared at London’s Barbican and Queen Elizabeth Hall and regularly gives recitals at the Wigmore Hall and Kings Place. Internationally, he has performed at the Lincoln Center and Carnegie Hall in New York, the Brahms Saal in Vienna’s Musikverein, the Paris Musée d’Orsay and the Moscow Conservatoire. Charles enjoys a highly successful piano duo partnership with Katya Apekisheva. Together they are Artistic Directors of the London Piano Festival, an annual celebration of the piano held at Kings Place.
Charles studied in London at the Yehudi Menuhin School and the Royal College of Music with Irina Zaritskaya and Imogen Cooper. He has enjoyed collaborations with many leading conductors including Sir Mark Elder, Ryan Wigglesworth, Nicholas Collon and Martyn Brabbins. Charles was appointed Steinway & Sons UK Ambassador in 2016.
Click here for Charles’ website
Click here to read a “Meet the Artist” interview with Charles by Frances Wilson who blogs as The Cross-Eyed Pianist
Noriko is an internationally renowned concert pianist; her success at the Leeds International Piano Competition in 1987 having launched her international career. She appears regularly with all the major European, Japanese and US orchestras and made her BBC Proms debut in August 2013 and appeared again in 2014 with the Endymion Ensemble. Noriko’s “ravishingly poetic playing” (Telegraph) sets her apart from her contemporaries and acclaim for her complete Debussy series with BIS Records, confirms her as a fine Debussy specialist. Her Images Book I and II were chosen as the top recommendation ‘exquisite delicacy’ in the BBC Radio 3’s CD Review, January 2014. Noriko’s latest recording for BIS records is of solo piano music by Eric Satie.
Noriko regularly judges the BBC Young Musician, Munich International Piano Competition, Honens International Piano Competition and the Scottish International Piano Competition and has recently been appointed as Chairperson of the Jury for Japan’s prestigious 10th Hamamatsu International Piano Competition in 2018.
Click here for Noriko’s website
Click here to read a “Meet the Artist” interview with Noriko by Frances Wilson who blogs as The Cross-Eyed Pianist
Vedrana, a Steinway Artist since 2003, is an award-winning Associate Professor-Lecturer of Music at the University of Utah, and a Visiting Professor of Piano at the University of Chile. She serves as the newly appointed President of the World Piano Teachers Association USA, Executive Director of the USA Chapter Conference, and as the Music Director (2002-present) of INTERMEZZO, a highly esteemed concert series based in Salt Lake City, Utah. Vedrana is also the founding member of the Intermezzo Piano Trio.
Vedrana began her musical career at age nine, when her performance of Debussy’s “Childrens’ Corner” aired on national television in her native country, the former Yugoslavia, as part of the series on emerging musical prodigies. At fifteen, she became the youngest candidate to be admitted to the University of Belgrade Music Academy (FMU). After winning first prize in Yugoslavia’s National Piano Competition at age nineteen, she moved to the United States, to study with Ralph Votapek, the Gold Medalist of the first Van Cliburn International Piano Competition, and later with Menahem Pressler, the founding member of the Beaux Arts Trio.
Click here for a link to Vedrana’s website
A distinguished British concert pianist, Martin was awarded 1st Prize at the 2005 Ettore Pozzoli International Piano Competition (Seregno, Italy) and Gold Medal at the 2003 Royal Over-Seas League Music Competition (London). He has appeared regularly in the major British musical venues since graduating from the Royal College of Music, making his London solo debut at the Purcell Room in 1998. Numerous solo recitals followed, notably at the Wigmore Hall in 2001, 2005 and 2011.
His disc of Rachmaninov’s Études-Tableaux was released in 2014 and was proclaimed ‘a landmark recording’ by The Observer with a 5-star review. Classical Source added, ‘This is one of the best solo piano records I have heard for a very long time – the more so considering it faces some pretty severe competition in the catalogues. Those who do not know these extraordinarily original masterpieces are strongly advised to acquire this disc. There is none better.’ Fanfare Magazine proclaimed, ‘Based on the present disc and on the towering performance of the First Sonata on his debut CD, I am prepared to state that Cousin is among the most distinguished Rachmaninoff pianists of our generation.’
Martin’s hands are also featured on the big screen in the Oscar-winning film “Shine”, for the scenes involving Rachmaninov’s 3rd Concerto.
Click here for a link to Martin’s website
Course Dates – 2019
May 11th – 18th, 2019 CHARLES OWEN
June 15th – 22nd, 2019 CHARLES OWEN
July 4th – 11th, 2019 NORIKO OGAWA
August 10th – 17th, 2019 VEDRANA SUBOTIC
August 25th – September 1st, 2019 MARTIN COUSIN
Booking for 2019 is now open. Please see Fees and How to Book for more details and use our Contact form to apply for a place.
“I have still not quite come down from the extraordinary experience of La Balie, and perhaps I will forever feel transformed by that wonderful week. Playing in front of other people is such a huge threshold for amateurs to cross, and one of great complexity. The setting in which that happens is an integral part of the experience. Somehow La Balie puts these two things together in a way that intensifies every element into something both profound and enjoyable. It is deeply salutary to be with a group of people for whom music means so much and in a place where it can be allowed to expand through everything else. Time and again in James’s masterclasses and talks it reminded me how music is not just something I do for an hour a day, it’s central to one’s whole life, and we are all in this together. Just as James moved constantly from the particular to the universal in masterclasses, so the course itself seemed to open us up from the centre of all our musical selves to a wider awareness as we got to know each other. There was a tremendous sense of camaraderie and solidarity by the end. I can’t thank you enough for bringing this about. The building and gardens and adjacent countryside, the superb cooking, the pool, the lovely rooms, the set-pieces (BBQ, Candle Concert, Coffee breaks etc) – everything was beautifully done and impeccably organised: an artistic achievement in itself.” – Conrad W, 2018